Sometimes an art project just doesn’t “work” and goes in the bin to clear the desk and the mind to move on to other hopefully better things. This series [shown] of visual poems started with picking up some pink plastic templates from a children’s game from the ground outside the Salvos where they had been split. Working on the back of cereal packets,a ready source of cheap cardboard,for a while i played around with the shapes and mark making, just enjoying letting it go where ever, vaguely thinking it might be a series to go into KART assembling book project. Finally though, although the process was fun, something was missing or rather there was too much going on with the patterns ,the shapes and the packet text on the back also. Sometimes less is more? Accepting the still born ideas is all part of the process and self editing is an important skill for an artist. I believe that the experience of these seeming “failures” still contribute, Art is a language and making art every day in some form can only add to its fluency.
Flowers and fabric 1 still life drawing recently curated into “best in price range” collection on Saatchi Art Online. Winter weather has had me working indoors on a still life series with gestural mark making.The darker Tasmanian light is leading my palette into exploring blues,grey and black with darker melancholic feel. Is this Tasmanian Gothic creeping in?
Sketching for the abstract landscape series Lazarus Rises. The site i am using is the Woodvine’s Reserve Forcett,Tasmania. Many trees are still very blackened by the fires, but the green regrowth is incredibly vibrant,especially when the sun shines. Picking up charcoal to use in pictures,taking frottage [rubbings] from bark and ferns to collage into work, its almost sensory overload. After this second drawing session i got caught up photographing old tin sheets at the homestead,another obsession waiting to be explored further.
Equipment used fishing tackle box to carry drawing materials to the site,moleskine journal with one concertina page[ built in elastic is good to anchor the page in windy conditions] and lumix FX01 camera.
photograph by Paul Amyes
New work for a new year!
Collage study from a series Lazarus Rising, about the burnt landscape round here from the Tasmanian fires of 2013, coming back to life. New shapes emerge as the forest grows back.Some of the mark making was taken from a field trip to Woodvine’s Reserve, Forcett,Tasmania. This will now be worked up into a large abstract painting.
materials used include Atelier interactive acrylic paint, Koh i noor progresso aquarell grahite sticks,stabilo aquacolor pencil,dress makers tissue on Art Spectrum Draw and Wash textured 210gsm paper.
I try to use Australian made products where possible to support the industry.
An abstract drawing from the series of eight titled “Hortus” [Garden].
Shapes taken from succulent leaves in the strong Australian light and shade with small surprises.
These works start off on a large sheet of paper which then gets chopped up to create new compositions sometimes in a random fashion. I do this in part to simplify images as i have a tendency to get too fussy. Also i like the freedom to be fairly playful and just enjoy the mark making process without too much thinking and always with plenty of loud music.This translates to plenty of energy in the work, and hopefully some happy accidents?
The frottage [rubbing] elements are taken from an op shop silver plate cake stand using the graphite stick.Gesso is scraped on with a palette knife creating a layering effect.
media include artist spectrum black ink, atelier interactive acrylic paint,marker,gesso, biro and koh i noor progresso aquarell graphite stick on heavy water colour paper.
blind self portrait from visual diary. experimental drawing exercise from The Drawing Room.done earlier in the year as part of my renewed commitment to extend drawing practice.