helen amyes

from the studio


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11th Jan 2017

working in series

ideas board and small collages

Making a body of work,is an important stage in the development of any visual artist.Firstly now I do try to “start with the end in mind” i.e. where do I envisage this work going to be seen/exhibited.In the example above, the end goal was a large painting for submission to the Glover landscape exhibition.Having said that where possible I do use material created for as many applications as I can i.e. some of the collages in the picture went on to become textile designs, home decor items,prints and cards.I used to use visual diaries a lot to build ideas and collect research, but now i take an A1 sized sheet of MDF painted white [ or several] and make an ideas board with photos,sketches,textiles,painted colour tests etc. This creates a bigger visual field and reminder, and from it I carry on to paint and collage,play ,construct and destruct, pinning up the works on a wall, until I have something I like enough to work onto canvas. I like the work to take on a life of its own, and have some ambiguity and not be too controlled i.e. tight, so working in this way with paper mostly at first keeps things free and inexpensive. Some bodies of work go straight off into the world and some remain incubating awaiting completion. The experience of making work in series is a vital part of my practice now and a way to try to keep myself on track.

 

 

 

 


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9th november

opposum bay rocks


Out and about observing and photographing rocks around Opposum Bay Tasmania, inspiration for next painting series? This was at the end of a lovely lonely beach,we only met one friendly lady on the walk back. A rocky headland with dried star fish in abundance[some collected for art making] and all these coloured rocks that were nature’s abstract paintings. Digital capture with Lumix DMC FX01 camera, a hand me down from the Other Half.Photography like this is for me essentially an exercise in looking, and note taking rather than an end product.